When Andre Previn, an admirer of Ravi Shankar's music, was appointed as the principal conductor of the London Symphony Orchestra in 1968, he invited Ravi Shankar to compose a concerto for Sitar & Orchestra.
It was composed in two & a half months in 1970 & essentially the orchestra was used to play Indian Music. There is minimal counterpoint & harmony. There are four movements based on ragas Khamach, Sindhi Bhairavi, Adana & Manj Khamach. On seeing the first draft of the score, Andre Previn, who in spite of originating the project, never formed much of a bond with Ravi Shankar (like the later Zubin Mehta), began to have some reservations, some of which were resolved.
The premiere took place at the Royal Festival Hall on 28th January 1971. The reviews were mostly positive. The album was recorded at the end of May, & released with arguably the most attractive jacket of all Ravi Shankar's albums. Capitol Records claimed that "It sold like a pop record."
In a cruel twist of fate, the Western detractors were led by Andre Previn himself, (whose idea it was & who conducted it), who later said "The recording is absolute, total, utter s--t. I knew it was nonsense."
In India, in an article published with "The Hindu", dated 29th December 1996, Ustad Vilayat Khan fumed "Your soul will abuse you if you indulge in fusion with Western Orchestras."
In a final astonishing twist of fate, Anupama Bhagawat, a leading sitarist belonging to Ustad Vilayat Khan's Gharana, played this concerto with the Hartford Symphony Orchestra on May, 2022 & described her experience as "fabulous & great"!