Showing posts with label George Eliot. Show all posts
Showing posts with label George Eliot. Show all posts

Saturday, 23 April 2016

Filial Love in 19th Century Literature

Father Goriot by Balzac


In Balzac's "Father Goriot" (1895) the eponymous character meets his death by his own excessive fatherly love. Like Shakespeare's King Lear, the generous father is deserted by the two selfish daughters. But Goriot unlike Lear, does not ever have a Cordelia to "to love and be silent".

Les Miserables






In Victor Hugo's "Les Miserables" (1862) the young couple Cossette and Marius gradually neglect Jean Valjean in their mutual absorption. Only after learning from others the truth that he has saved both their lives, they rush to his deathbed. 




Silas Marner



In contrast, Eppie in George Eliot's "Silas Marner" (1861) remains steadfast to her foster father, even after her natural father offers her riches and social status. She justifies the symbolism that she was mistakenly thought to be the lost gold (because of her auburn curls) by her sterling (in both senses) qualities. 

What great writers think about the tastes of the culturally challenged youth..

George Eliot


Popular Music is a form of melody which expresses a puerile state of culture, the passion and thought of people without any breadth or horizon. There is a sort of self satisfied folly about every phrase of such melody; no cries of deep, mysterious passion, no conflict, no sense of the universal. It makes men small as they listen to it.

George Eliot "Domiel Deronda"


Jane Austen






"There is nothing like (social) dancing after all. I consider it as one of the first refinements of polished societies."

"Certainly and it has the advantage also of being in vogue amongst the less polished societies of the world. Every savage can dance."

Jane Austen "Pride and Prejudice"