Some of these are in the "Asavari' Thaat & some in "Kafi" Thaat.
The most well-known is Darbari Kanada, also known as "The King of Ragas" & "The Raga of Kings" as Tansen reputedly created it to perform in court. This is in "Asavari" Thaat & the unique feature is the andolan on Komal Gandhar & Komal Dhaivat. Vadi & Samvadi are Shuddha Rishabh & Pancham.
Koushi Kanada also uses the same notes as above, but is distinguished by having Shuddha Madhyam & Komal Gandhar as Vadi & Samvadi. The Pancham string of the tanpura is also tuned to Shuddha Madhyam to help support the Vadi swara.
Suha Kanada is in Kafi Thaat & drops the Dhaivat altogether. The andolan on Komal Gandhar gives the Kanada touch. Rishabh is not used in ascent. Vadi & Samvadi are Ma & Sa. Surprisingly it is an afternoon raga.
A very similar Raga is Nayaki Kanada, having the same notes & even the same Vadi & Samvadi as above, but using the Rishabh in ascent. This is a night raga in the idiosyncratic time frame of the Hindustani system! This raga is favoured by the Jaipur Atrauli Gharana.
A raga recorded by Ustad Ali Akbar Khan is Bageshree Kanada, in which the ascent progresses in the Kafi Thaat upto Pancham & then doubles back to Madhyam & proceeds again, dropping the Pancham & going straight to Dhaivat!
No comments:
Post a Comment